Don’t tell me what I can’t do!
Poor John, he can’t even catch a break on Tumblr.
fuckyeahlost:
Brian Berson’s tattoo. Locke’s note to Jack.
I’ve never seen a tattoo that made me choke up a little bit. Until now. The desperate suicide note of a tragic fictional character? Goddamn it. I think I kind of want to get something like this.
fuckyeahlost:
LOSTOPOLY.
Click through for the details if you’re interested in playing a little LOSTOPOLY with your friends.
A combination of 2 of my favorite things in life. I need it.
Look at 3D. That’s a major setback to good storytelling. I took my little boy to see ‘The Last Airbender.’ It was an awful film. The director M Night Shyamalan hasn’t directed a decent movie since ‘The Sixth Sense.’ I’m disillusioned with the drift towards gratuitous entertainment, which so much of Hollywood is now. Because of the state of the economy people seem to want pure escapism. But if the roles I fight to get all go to Matt Damon, then I won’t work. I turn a lot of stuff down – big, big movies, the kind I wouldn’t want to go to the cinema to see. I’m sorry, but I can’t make a movie with the blonde from ER who is starring in every single bad romantic comedy. Unless they reinvent the wheel in terms of romantic comedies – in other words, they start making them funny and romantic again – I’m not going to be starring in any of those movies. The fact is that I’m far more comfortable sitting on a horse and herding cattle than walking up a red carpet. People think I’m being disingenuous when I say I don’t like the glitz and glamour of Hollywood. But truthfully, I can’t stand it. There are very few situations I’d less like to be in than a Hollywood premiere or an awards ceremony. They’re not what my life is about. My passions lie elsewhere. There’s flying my plane, cruising in my car, and lots of other things that keep me occupied. If I’m going to party I prefer to do it outdoors.
In network TV when a show ends, it disappears from sight as quickly as Vladimir Putin’s political rivals. Within two weeks after the finale was shown, the “Lost” offices were emptied out and became the hub for a new ABC show, “No Ordinary Family.” The “Lost” billboard on the Disney lot was replaced by one for “Detroit 1-8-7.” In network promos, the mystery of the island was supplanted by the mystery of Bristol Palin on “Dancing With the Stars.” I thought “Lost” was finally over, but I was wrong. The next week I went back into the editing room to finish work on a secret addendum to the series that we’d filmed for the DVDs. I gathered with my collaborators for the Emmys, the Saturns and the Scream Awards. And most recently, four of the six mystical numbers that kept reappearing on the show turned up in the Mega Millions lottery drawing, and I found myself back in the news media commenting on the coincidence. I eventually realized there was never going to be a definitive conclusion to the experience of “Lost.” The conclusion was going to be as ambiguous as the ending of the series itself.